on Page 71: "spent money like water in pursuit of costly defeats. In 1759 these difficulties dissolved. Pitt did not fully deserve the credit for the fortunes of the Seven ... "
spend money like water
spend money like water
of someone spends money like water, they spend too much.
Carol spends money like water - no wonder she's always broke.
Carol spends money like water - no wonder she's always broke.
frieze
IN BRIEF: A band of designs, drawings, or carvings used as a decoration along a wall or around a room.
The beautifully carved frieze in the rotunda depicted acts of bravery and good deeds.
Tutor's tip: The "frieze" (a sculptured or patterned strip on a building) on the building depicts a hero as he "frees" (to release) a child from the ice, only to "freeze" (to turn to ice) to death in the bitter cold himself.
n. - 起絨粗呢
2.
n. - 中楣, 帶狀裝飾
日本語 (Japanese)
n. - 小壁, 帯状装飾, 行列
v. - けばだてる
フリーズとは建築用語で、エンタブラチュアの中央の、幅広い部分を指す。 簡素なものもあれば、イオニア式、コリント式のレリーフで装飾されているものもある。 円柱の壁ではフリーズの位置は、アーキトレーブより上、コーニスのモールディングより下部になる。
内装ではフリーズは、ピクチャーレールより上、冠モールディングやコーニスより下の壁部分を指す。 広義では、フリーズは絵画や彫刻、カリグラフィー等で装飾された、横に伸びた部分を言い、上記の位置か、通常は目線より上に位置する。 フリーズの装飾は、支柱によりいくつかのパネルに分かれて、連続した場面を表していることもある。 こういった装飾は、漆喰や木彫その他の装飾形式による。
建築構造上、フリーズが建物正面にある例としては、アテネの古代ローマ時代のアゴラにある、八角形の風の塔が挙げられる。 風の塔のフリーズには、8人のアネモイ(風神)のレリーフ彫刻が刻まれている。
パルヴィノ(pulvino)は、断面図では凸部になる。 こういったフリーズは17世紀、北部マニエリスムによく見られ、特に補助的なフリーズや、内装、家具などに多い。
フリーズの概念は、フリーゼパターンの数学的作図において一般化した。
met・o・pe
━━ n. 【建】メトープ, 小間壁.
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example is the 92 metopes of the frieze of the Parthenon marbles depicting the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance.
In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in width. They may also vary in width within a single structure to allow for corner contraction, an adjustment of the column spacing and arrangement of the Doric frieze in a temple to make the design appear more harmonious.
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example is the 92 metopes of the frieze of the Parthenon marbles depicting the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance.
In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in width. They may also vary in width within a single structure to allow for corner contraction, an adjustment of the column spacing and arrangement of the Doric frieze in a temple to make the design appear more harmonious.
Images of metopes
Metopes made from marble slotted into the frieze of the Stoa at Brauron.
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