The Moonstone is a stunning yellow diamond the size of a bird's egg that glows like the harvest moon and harbors a flaw in its brilliant depths. Inherited by the beautiful young Englishwoman Rachel Verinder, it is also a sacred talisman to the Hindu priests who hope to bring it back to their holy city in India, from which it was looted long ago.
Be that as it may, before we knew it, the phrase "once in a century" has virtually become a talisman for the government and the ruling parties. In the face of a once-in-a-century recession, they say, "This is no time to dissolve the Lower House (for a snap election)." "Therefore, we need to implement a bold stimulus package," they say.
"with balloons and hot dogs... and fireworks galore" (Anne Armstrong).
The Washington Post stuffs the story in the business section but mentions the statistic in its lead story with news that the Bush administration is preparing to ask Congress to release the remaining $350 billion of bailout money. Senior Bush administration officials are working with the Obama transition team to determine which President will have the unsavory task of signing a veto to proceed with the unpopular bailout plan, as Congress is expected to deny the request for the funds.
Book Fair | 13.10.2007
Writing Aplenty on the Web, but Where's the Cash?
The Internet age with its multitude of blogs and online forums has led to an explosion of writing. But the losers in this development, at least financially, appear to be the writers. At the Frankfurt Book Fair this week there are books galore by authors no one has ever heard of.
For every millionaire celebrity author, such as JK Rowling sitting pretty on a fortune from her seven Harry Potter novels, there are hundreds of thousands of writers earning just pennies, having to make their living from taxi-driving or teaching.
A US webzine, 10 Zen Monkeys, did an unscientific survey last week of professional writers - the term was defined to include both book and magazine authors - and found many saying that they were receiving fewer commissions and less income than a decade ago.
The villain, many say, is the Internet.
A surfeit of good stuff
The web is being criticized for giving a voice to so many millions of people that good writing is no longer scarce. It's everywhere.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: There are more distractions than ever before thanks to the Internet
One of the surveyed writers, John Shirley, observed, "People spend a great deal of time and energy online, time and energy which is then not available for that armchair book."
The fear among writers is that, according to the old laws of supply and demand, writing is worth less today.
"Generation Download thinks information wants to be free ... even if some ink-stained wretch wept tears of blood to create it," wrote Mark Dery, another contributor.
Copyright concerns?
What's more, the masses who are blogging or uploading poetry seem unconcerned about that talisman of the traditional writer, copyright. They're publishing their essays, diaries, poetry and fiction online with no practical protection against plagiarists.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: How can one put income in writers' pockets in the digital age?
It's a situation that appals Alexander Unverzagt, a Hamburg, Germany copyright lawyer in a panel discussion at the book fair.
He recalled being approached a few weeks ago by an academic who had hosted a blog that attracted a lot of profound comment. The academic wanted to take 150 of the most superb comments and edit them into a book.
Could he do so, without negotiating individual rights contracts with all 150 authors?
No way, said Unverzagt. Every contributor had implicitly granted a licence to use his text for the blog only, but not for another medium such as a book. "The Internet is not a lawless zone," he said.
The key purpose of the annual, five-day Frankfurt Book Fair is buying and selling the rights to writing, country by country and in all the myriad publication forms, whether as books, film or online.
Discussion is growing about whether that is a sensible way to put income in writers' pockets.
Open access
A panelist, Catharina Maracke, also a lawyer, said the Hamburg academic should have asked his contributors to sign over some rights from the beginning with a "creative commons" license.
The world Creative Commons movement -- Maracke heads its Berlin office -- is an offshoot of the open-access movement which argues that the legal phobia against copying is a brake on scholarship, science and debate.
Obtaining 150 licenses would take more effort than it is worth to publish just one book. If all the authors had legally gifted their comments to humanity, their thoughts could be reproduced in a book and would win wider influence.
Top publishers at the Fair agree that worldwide sales of printed books remain strong. Peter Olson, chief executive of the world's biggest book publisher, New York-based Random House, says there is a digital future but it is not a threat.
Sweat-shop labor?
The concern among authors is that they are becoming low-pay workers in a flourishing industry. Many, such as poets and academics, receive only neglible royalties and mainly publish for the sake of glory.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: Some poets make money off of appearances, not off their books
Monika Rinck, a German poet, says she publishes her poetry on blogs and on the internet and does not expect the publication itself to bring her any income. Instead, she can charge appearance fees for reading the poetry, thanks to her growing reputation.
"I don't earn income from a book, but rather from my readers," she explained during the panel discussion.
Writers justify free blogs as a way to build a fan community, establish a public personality and explain their thought processes.
Open-source or traditional, writers like Rinck agree that editors are still essential to select the best writing of the age.
"We're drowning in yak, and it's getting harder and harder to hear the insightful voices," Dery said. Oscar Wilde would be just another forlorn blogger out on the media asteroid belt in our day.
A US webzine, 10 Zen Monkeys, did an unscientific survey last week of professional writers - the term was defined to include both book and magazine authors - and found many saying that they were receiving fewer commissions and less income than a decade ago.
The villain, many say, is the Internet.
A surfeit of good stuff
The web is being criticized for giving a voice to so many millions of people that good writing is no longer scarce. It's everywhere.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: There are more distractions than ever before thanks to the Internet
One of the surveyed writers, John Shirley, observed, "People spend a great deal of time and energy online, time and energy which is then not available for that armchair book."
The fear among writers is that, according to the old laws of supply and demand, writing is worth less today.
"Generation Download thinks information wants to be free ... even if some ink-stained wretch wept tears of blood to create it," wrote Mark Dery, another contributor.
Copyright concerns?
What's more, the masses who are blogging or uploading poetry seem unconcerned about that talisman of the traditional writer, copyright. They're publishing their essays, diaries, poetry and fiction online with no practical protection against plagiarists.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: How can one put income in writers' pockets in the digital age?
It's a situation that appals Alexander Unverzagt, a Hamburg, Germany copyright lawyer in a panel discussion at the book fair.
He recalled being approached a few weeks ago by an academic who had hosted a blog that attracted a lot of profound comment. The academic wanted to take 150 of the most superb comments and edit them into a book.
Could he do so, without negotiating individual rights contracts with all 150 authors?
No way, said Unverzagt. Every contributor had implicitly granted a licence to use his text for the blog only, but not for another medium such as a book. "The Internet is not a lawless zone," he said.
The key purpose of the annual, five-day Frankfurt Book Fair is buying and selling the rights to writing, country by country and in all the myriad publication forms, whether as books, film or online.
Discussion is growing about whether that is a sensible way to put income in writers' pockets.
Open access
A panelist, Catharina Maracke, also a lawyer, said the Hamburg academic should have asked his contributors to sign over some rights from the beginning with a "creative commons" license.
The world Creative Commons movement -- Maracke heads its Berlin office -- is an offshoot of the open-access movement which argues that the legal phobia against copying is a brake on scholarship, science and debate.
Obtaining 150 licenses would take more effort than it is worth to publish just one book. If all the authors had legally gifted their comments to humanity, their thoughts could be reproduced in a book and would win wider influence.
Top publishers at the Fair agree that worldwide sales of printed books remain strong. Peter Olson, chief executive of the world's biggest book publisher, New York-based Random House, says there is a digital future but it is not a threat.
Sweat-shop labor?
The concern among authors is that they are becoming low-pay workers in a flourishing industry. Many, such as poets and academics, receive only neglible royalties and mainly publish for the sake of glory.
Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: Some poets make money off of appearances, not off their books
Monika Rinck, a German poet, says she publishes her poetry on blogs and on the internet and does not expect the publication itself to bring her any income. Instead, she can charge appearance fees for reading the poetry, thanks to her growing reputation.
"I don't earn income from a book, but rather from my readers," she explained during the panel discussion.
Writers justify free blogs as a way to build a fan community, establish a public personality and explain their thought processes.
Open-source or traditional, writers like Rinck agree that editors are still essential to select the best writing of the age.
"We're drowning in yak, and it's getting harder and harder to hear the insightful voices," Dery said. Oscar Wilde would be just another forlorn blogger out on the media asteroid belt in our day.
noun [C] plural talismans
an object believed to bring good luck or to keep its owner safe from harm
- French talisman or Spanish talismán or Italian talismano; all from Arabic ṭilsam, from Middle Greek telesma, from Greek, consecration, from telein to initiate into the mysteries, complete, from telos end — more at telos
- Date:
- 1638
1 : an object held to act as a charm to avert evil and bring good fortune 2 : something producing apparently magical or miraculous effects
galore adjective [after noun] OLD-FASHIONED INFORMAL
in great amounts or numbers:
And for the sweet-toothed, this café has desserts galore.)
galore
adjective [after noun] OLD-FASHIONED INFORMAL
in great amounts or numbers:
And for the sweet-toothed, this café has desserts galore.unsavoury UK, US
unsavory
adjective
unpleasant, or morally offensive:
unsavoury sexual practices
an unsavoury reputation
impulse (DESIRE)
noun [C + to infinitive]
a sudden strong desire to do something:
I had this sudden impulse to shout out "Rubbish!" in the middle of her speech.
impulsive
adjective
showing behaviour in which you do things suddenly without any planning and without considering the effects they may have:
Don't be so impulsive - think before you act.
an impulsive man/decision/gesture
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