The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular.
A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 20th century, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve his or her subjective vision. The movement helped to raise standards and awareness of art photography.
Secession. The Vienna Secession維也納分離派，以前有人將Secession 翻譯成直線呢
 _-_5987-8_-_%C3%96sterreichische_Galerie_Belvedere.jpg) Top: Secession Building in Vienna designed by Joseph Maria Olbrich (1897–1898); Bottom: Excerpts of the Beethoven Frieze by Gustav Klimt (1902) | |
| Years active | c. 1897–1914 |
|---|---|
| Location | Austria |
| Major figures | Gustav Klimt, Joseph Maria Olbrich, Josef Hoffmann, Otto Wagner |
| Influences | Art Nouveau |
The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt.[1] They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum (Sacred Spring, in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.[2]
維也納分離派
上圖：約瑟夫·瑪麗亞·奧爾布里希 (1897-1898) 設計的維也納分離派大樓；底部：古斯塔夫·克林姆特的貝多芬飾帶選段（1902 年）
活躍年 c. 1897–1914
地點：奧地利
主要人物古斯塔夫·克林姆特、約瑟夫·瑪麗亞·奧爾布里希、約瑟夫·霍夫曼、奧托·瓦格納
新藝術運動的影響
維也納分離派（德語：Wiener Secession；也稱為奧地利藝術家聯盟或Vereinigung Bildender Künstler Österreichs）是一場藝術運動，與新藝術運動密切相關，由一群奧地利畫家、平面藝術家、雕塑家和建築師於 1897 年創立，其中包括約瑟夫·霍夫曼、科洛曼·莫澤曼·莫澤姆·瓦格納。 [1]他們退出奧地利藝術家協會，以抗議該協會對更傳統藝術風格的支持。他們最具影響力的建築作品是約瑟夫·瑪麗亞·奧爾布里希設計的分離派展覽館，作為該團體展覽的場所。他們的官方雜誌名為 Ver Sacrum（拉丁語為「神聖的春天」），其中刊登了極具風格和影響力的圖形藝術作品。 1905 年，該團體本身分裂，當時包括克林姆特、瓦格納和霍夫曼在內的一些最傑出的成員因優先權爭議而辭職，但該團體繼續運作，至今仍在其位於分離派大樓的總部運作。目前，「分離派」展覽館由藝術家獨立領導和管理。 [2]
歷史
創立
維也納分離派由藝術家古斯塔夫·克林姆特、設計師科洛曼·莫澤、建築師約瑟夫·霍夫曼和約瑟夫·瑪麗亞·奧爾布里希、馬克斯·庫茲韋爾、威廉·伯納齊克等人於 1897 年 4 月 3 日創立。該集團成立後不久，建築師 Otto Wagner 就加入了該集團。成立時提出的目標包括與奧地利以外的藝術家建立聯繫和交流思想，爭論藝術民族主義，更新裝飾藝術；創造一種統一繪畫、建築和裝飾藝術的「整體藝術」；特別是反對維也納藝術學院、維也納藝術家之家和官方藝術沙龍的統治及其傳統上的歷史主義傾向。
History
[edit]Founding
[edit]The Vienna Secession was founded on 3 April 1897 by artist Gustav Klimt, designer Koloman Moser, architects Josef Hoffmann and Joseph Maria Olbrich, Max Kurzweil, Wilhelm Bernatzik and others. The architect Otto Wagner joined the group shortly after it was founded. The goals stated at the founding included establishing contact and an exchange of ideas with artists outside Austria, disputing artistic nationalism, renewing the decorative arts; creating a "total art", that unified painting, architecture, and the decorative arts; and, in particular, opposing the domination of the official Vienna Academy of the Arts, the Vienna Künstlerhaus, and official art salons, with its traditional orientation toward Historicism.
- the action of withdrawing formally from membership of a federation or body, especially a political state."the republics want secession from the union"
- historicalthe withdrawal of eleven southern states from the US Union in 1860, leading to the Civil War.singular proper noun: Secession; noun: the Secession
- variant of Sezession.noun: the Secession
“藍牙“的名字來源
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