“The space was small, the deadline was tight, and there were exceptional security requirements,” said Mr. Le Bras, whose company also handled most of the scaffolding and, with three others — Cruard Charpente, Métiers du Bois and Asselin — worked on the spire. “But everyone involved on the project, without exception, was passionate above all.”
“It’s almost more of a mission than a construction project,” he said.
Much of the cathedral’s new wooden roofing was dry-fitted — in Lorraine for the spire, in Normandy for the nave, and in the Loire Valley for the choir — then brought to Paris, reassembled section by section on giant platforms, and hoisted up by crane.
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