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The Metropolitan Museum of Art, New York
Celebrate the Feast of the Annunciation with this incredible altarpiece. Having just entered the room, the angel Gabriel is about to tell the Virgin Mary that she will be the mother of Jesus.
Featured Artwork of the Day: Workshop of Robert Campin (Netherlandish, ca. 1375–1444) | Annunciation Triptych (Merode Altarpiece) | ca. 1427–32 http://met.org/1U6RQ6x
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Paumgartner Altar c. 1503
Oil on lime panel, 155 x 126 cm (central), 151 x 61 cm (each wing)
Alte Pinakothek, Munich
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The altar has the traditional shape of a winged altarpiece. The outside, the weekday side, displays a workshop production of an Annunciation and the former standing figures of saints Catherine and Barbara. When opened, the magnificent colours of the Nativity are visible, framed by saints George and Eustace.
altarpiece とは【意味】(教会堂の)祭壇の背後と上部の飾り... 【例文】a painting or carving (especially an altarpiece) on two panels (usually hinged like a book)...
祭壇画
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The Ghent Altarpiece (1432) by Hubert and Jan van Eyck. Considered one of the masterpieces of Northern Renaissance art, a complex polyptych panel painting, which lost its elaborate framework in the Reformation
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church.[1][2][3] Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.[4]
Large number of altarpieces are now removed from their church settings, and often their elaborate sculpted frameworks, and displayed as more simply framed paintings in museums and other places.
Contents
1History
1.1Origins and early development
1.2The emergence of panel painting
1.3Late Middle Ages and Renaissance
1.4Later developments
2Types of altarpieces
3Notable examples
4See also
5References
6External links
Altarpiece of the Cartuja de Miraflores , in Burgos, Spain
Was designed by Spanish sculptor and architect Gil de Siloé and completed between 1496 & 1499
altar :祭台;祭壇;聖壇:舉行彌撒祭獻之台或桌。教會初期,因多在殉教者墓上舉行彌撒,故通常在祭台正中的聖石內藏有殉教者骨骸,稱之為 altar stone 。舉祭時點燃蠟燭,並鋪以白色祭臺布 altar cloths 。祭台之拉丁文是 altare (參閱法典 1235-1239 )。
altar, main :正祭台;大祭台:昔日教堂中央的主要祭台,四周設有若干次要祭台 side altar 。照教會新規定,教堂中只許有一個(正)祭台。
altar, side :次要祭台;偏祭台:昔日教堂兩側的祭台;與正祭台 main altar 相對照。
altar boys :輔祭童;輔祭者:舉行彌撒時的輔助者。昔日多由男孩(或成年人)擔任,今日女性也能輔祭。又稱 server 。
altar bread :面餅;祭餅:舉行彌撒時,用以成聖體的圓形無酵麥面餅。又稱 wafer bread 。
altar cards :經牌:昔日彌撒中,祭臺上所放的卡片,上面印有彌撒常用的經文。
altar cloths :祭臺布;臺布:舉行彌撒時,鋪在祭臺上的白(麻)布。
altar stone :聖石:祭台正中所鑲的石塊,如書本大小,其中藏有殉教者的骨骸;現已非必要。 consider /kənˈsɪdə/ verb
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