Misunderstanding has been a part of The Great Gatsby's story from the very start. Grumbling to his friend Edmund Wilson shortly after publication in 1925, Fitzgerald declared that "of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about." Fellow writers like Edith Wharton admired it plenty, but as the critic Maureen Corrigan relates in her book So We Read On: How The Great Gatsby Came to Be and Why It Endures, popular reviewers read it as crime fiction, and were decidedly underwhelmed by it at that. Fitzgerald's Latest A Dud, ran a headline in the New York World. The novel achieved only so-so sales, and by the time of the author's death in 1940, copies of a very modest second print run had long since been remaindered.
re·sid·u·al (rĭ-zĭj'ū-əl)
adj. [形] ((形式))
[副] 残りとして.
adj. - 残りの, 余りの
n. - 残り, 残余, 誤差, 後遺症
- Of, relating to, or characteristic of a residue.
- Remaining as a residue.
- The quantity left over at the end of a process; a remainder.
- A payment made to a performer, writer, or director for each repeat showing of a recorded television show or commercial. Often used in the plural.
1 残りの, 残余の, 余っている
residual income
(税引き後の)手取り収入.
2 《数学》余りの.
3 再放送料の.
4 《医学》(排出後まだ器官に)残っている
residual urine
残尿.
5 《物理学・地質学》残留の.
6 〈問題などが〉未解決の.
━━[名]
1 残余, 残り.
2 《数学》残差.
3 ((通例〜s))再放送料;放映料.
4 ((しばしば〜s))後遺症.
re・sid・u・al・ly
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